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Many hearts are broken today, including my own, with the death of one of my dearest friends, Mac Davis. I was blessed to have it shine on me.”ĭavis’ onetime collaborator Parton also shared her condolences, writing on Twitter, “Many hearts are broken today, including my own, with the death of one of my dearest friends…. Bill and Mac would sit in their car and Mac would sing songs to Bill Pruitt and that’s how Bill knew Mac had talent to make up songs on the spot which mac did a lot of.,' said Byers. The warm afternoon of his funeral became a time to remember and reflect.
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That was Mac: a giant heart, quick to laugh and a bigger creative spirit. Byers says he was a classmate of Davis at Lubbock High School in 1958. “A small town boy who’d achieved the greatest kinds of fame, he remained a good guy, a family man. Even though he’d written ‘In the Ghetto’ for Elvis and had so many incredible hits of his own, he made me feel like what I was doing mattered,” Chesney said. Kenny Chesney counted Davis as an early influence and remembered him on Tuesday as a “songwriting hero.” “He welcomed me into his home, and turned that tremendous creative light on me.
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In 2019, he appeared in an episode of the Netflix series Dolly Parton’s Heartstrings.
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Elvis also recorded the Davis compositions “Memories” and “Don’t Cry Daddy,” both staples of his Seventies live performances.Ī member of the Nashville Songwriters Hall of Fame and the National Songwriters Hall of Fame, Davis also had his songs recorded by Kenny Rogers, Glen Campbell, Bobby Goldsboro, and the soft-rock band Gallery, one of many artists who cut Davis’ “I Believe in Music.” In 1989, he recorded the duet “Wait ‘Til I Get You Home” with Dolly Parton for the country legend’s album White Limozeen.ĭavis experienced modest success as an actor and TV personality as well, even hosting his own variety series, The Mac Davis Show, from 1974 to 1976 on NBC. The former was a posthumous hit for Presley, on the strength of a 2002 remix by Dutch DJ Junkie XL, while the latter’s success endeared Davis’ material to Presley. In the late Sixties, Presley cut a string of Davis compositions, including “A Little Less Conversation” and the tale of inner-city poverty “In the Ghetto,” which Davis also recorded. Davis experienced a resurgence in the Eighties, thanks to the novelty hit “It’s Hard to Be Humble” (covered by Willie Nelson on 2019’s Ride Me Back Home), “Texas in My Rearview Mirror,” and the rockabilly “Hooked on Music,” which nodded, both lyrically and musically, to his greatest champion: Elvis Presley. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators.